– 2000 BC, 1999 : 2000 BC: The Bruce Conner Story Part II, Peter Boswell, Bruce Jenkins, Joan Rothfuss éd., (cat. expo., Minneapolis, Walker Art Center, 1999), Minneapolis, 1999.
– Albright, 1985 : Thomas Albright, Art in the San Francisco Bay Area, 1945-1980, Berkeley/Los Angeles/Londres, 1985.
– African Art…, 1974: African Art in Motion: Icon and Act in the Collection of Katherine Coryton White, Robert Farris Thompson éd., (cat. expo., Washington D.C., National Gallery of Art/Los Angeles, Frederick S. Wight Art Gallery, University of California, 1974), Los Angeles, 1974.
– All is Personal, 2008 : All is Personal: the Art of Wallace Berman, Kristine McKenna éd., (cat. expo. Londres, Camden Art Center, 2008), Londres, 2008.
– Art as…, 1975 : Art as a Muscular Principle: 10 Artists and San Francisco, 1950-1965, Merril Greene éd., (cat. expo., South Hadley, John and Norah Warbeke Gallery, Mount Holyoke College, 1975), South Hadley, 1975.
– The Art of Joan Brown, 1998 : The Art of Joan Brown, Karen Tsujimoto, Jacquelynn Baas éd., (cat. expo., Berkeley, University of California, Berkeley Art Museum/Oakland, The Oakland Museum of California, 1998-1999), Berkeley/Oakland, 1998.
– Art of Wondering, 1989 : An Art of Wondering: The King Ubu Gallery 1953-54, Christopher Wagstaff éd., (cat. expo., Davis, Natsoulas Novelozo Gallery, 1989), Davis, 1989.
– Beat Culture…, 1995 : Beat Culture and the New America, 1950-1965, Lisa Phillips éd., (cat. expo., New York, The Whitney Museum of American Art, 1996), New York/Paris, 1995.
– Beat Generation Galleries…, 1996 : The Beat Generation Galleries and Beyond, John Natsoulas éd., (cat. expo., Davis, John Natsoulas Gallery, 1996), Davis, 1996.
– Becker, (1963) 1985 : Howard S. Becker, Outsiders: études de sociologie de la déviance, Paris, 1985 [éd. orig. : Outsiders: Studies in the Sociology of Deviance, New York, 1963].
– Brode, 2004 : Douglas Brode, From Walt to Woodstock: How Disney Created the Counterculture, Austin, 2004.
– Cameron, 2015 : Cameron: Songs for the Witch Woman, Yael Lipschutz éd., (cat. expo., Los Angeles, The Museum of Contemporary Art, 2015), Santa Monica, 2015.
– Clark, (1973) 2007 : T. J. Clark, Une image du peuple : Gustave Courbet et la révolution de 1848, Dijon, 2007 [éd. orig. : Image of the People: Gustave Courbet and the 1848 Revolution, Londres, 1973].
– CPLY, 1979 : CPLY: Reflection on a Past Life, William N. Copley éd., (cat. expo., Houston, Rice University, Institute for the Arts, ), Houston, 1979.
– Cummings, 1973 : Paul Cummings, « Oral History Interview with Bruce Conner », San Francisco, 16 avr. 1973, Archives of American Art, Smithsonian Institution, Washington D.C.
– Danesi, 1994 : Marcel Danesi, Cool: The Signs and Meanings of Adolescence, Toronto, 1994.
– Davidson, 1989 : Michael Davidson, The San Francisco Renaissance: Poetics and Community at Mid-Century, Cambridge, 1989.
– DeFeo, Schneider, 2015 : Jay DeFeo, Bart Schneider éd., Works on Paper, Berkeley, 2015.
– Delfiner, 2011 : Judith Delfiner, Double-Barrelled Gun : Dada aux États-Unis, 1945-1957, Dijon, 2011.
– The Dilexi Years…, 1984 : The Dilexi Years, 1958-1970, Terry St. John et al., (cat. expo., Oakland, The Oakland Museum, 1984), Oakland, 1984.
– Directions in Bay…, 1983 : Directions in Bay Area Painting: A Survey of Three Decades, 1940s-1960s, Joseph Armstrong Baird Jr. éd., (cat. expo., Davis, University of California, Richard L. Nelson Gallery, 1983), Davis, 1983.
– Echols, 2002 : Alice Echols, « The Ike Age: Rethinking the 1950s », dans Shaky Ground: The Sixties and Its Aftershocks, New York, 2002.
– Forty Years…, 1989 : Forty Years of California Assemblage, Anne Ayres éd., (cat. expo., Los Angeles, Wight Art Gallery, University of California, 1989), Los Angeles, 1989.
– Funk, 1967 : Funk, Peter Selz éd., (cat. expo., Berkeley, University Art Museum, 1967), Berkeley, 1967.
– Gair, 2007 : Christopher Gair, The American Counterculture, Édimbourg, 2007.
– George Herms, 1992 : George Herms: The Secret Archives, George Herms éd., (cat. expo., Los Angeles, Los Angeles Municipal Art Gallery, 1992), Los Angeles, 1992.
– Green, Levy, 2003 : Jane Green, Leah Levy éd., Jay DeFeo and The Rose, Berkeley/New York, 2003.
– Hatch, 2012 : Kevin Hatch, Looking for Bruce Conner, Cambridge, 2012.
– Herms, 2014 : George Herms, George Herms: The River Book, Venice, 2014.
– Higgins, 1963 : Winifred H. Higgins, « Art Collecting in the Los Angeles Area, 1910-1960 », thèse, Los Angeles, University of California, 1963.
– Holmes, 1952 : John Clellon Holmes, « This Is the Beat Generation », dans The New York Times, 16 novembre 1952, p. 10-22.
– Jay DeFeo, 1989 : Jay DeFeo: Works on Paper, Sidra Stich éd., (cat. expo., Berkeley, University Art Museum, 1989), Berkeley, 1989.
– Jay DeFeo, 1996 : Jay DeFeo: Selected Works, 1952-1989, Constance Lewallen éd., (cat. expo., Philadelphie, Goldie Paley Gallery, Moore College of Art and Design, 1996), Philadelphie, 1996.
– Jay DeFeo, 1997 : Jay DeFeo: The Florence View and Related Works, 1950-1954, Robert A. Whyte éd., (cat. expo., San Francisco, Museo Italo Americano, 1997), San Francisco, 1997.
– Jay DeFeo, 2012 : Jay DeFeo: A Retrospective, Dana Miller éd., (cat. expo., San Francisco, San Francisco Museum of Modern Art/New York, Whitney Museum of American Art, 2013), New York, 2012.
– Jess, 1983 : Jess: Paste-Ups (and assemblies), 1951-1983, Michael Auping éd., (cat. expo., Sarasota, The John and Mable Ringling Museum of Art, 1984), Sarasota, 1983.
– Jess, 1993 : Jess: A Grand Collage 1951-1993, Michael Auping éd., (cat. expo., Buffalo, Albright-Knox Art Gallery, 1993), Buffalo, 1993.
– Jess, 2007 : Jess: To and From the Printed Page, Ingrid Schaffner éd., (cat. expo., San Jose, San Jose Museum of Art, 2007), New York, 2007.
– Jess, 2012 : Jess, Jess: O! Tricky Cad & Other Jessoterica, Michael Duncan éd., Los Angeles, 2012.
– Karlstrom, 1974a : Paul J. Karlstrom, « Oral History Interview with Bruce Conner », San Francisco, 12 août 1974, Archives of American Art, Smithsonian Institution, Washington D.C..
– Karlstrom, 1974b : Paul J. Karlstrom, « Oral History Interview with Wally Hedrick », San Geronimo, 10 juin 1974, Archives of American Art, Smithsonian Institution, Washington D.C..
– Karlstrom, 1975 : Paul J. Karlstrom, « Oral History Interview with Jay DeFeo », Larkspur, 3 juin 1975, Archives of American Art, Smithsonian Institution, Washington D.C..
– Karlstrom, 1993 : Paul J. Karlstrom, « Oral History Interview with George Herms », Los Angeles, 8 décembre 1993, Archives of American Art, Smithsonian Institution, Washington D.C.
– Karlstrom, 1996 : Paul J. Karlstrom éd., On the Edge of America: California Modernist Art, 1900-1950, Berkeley, 1996.
– Karlstrom, Guilbault, 1974 : Paul J. Karlstrom, Serge Guilbault, « Oral History Interview with Bruce Conner », San Francisco, 29 mars 1974, Archives of American Art, Smithsonian Institution, Washington D.C.
– Kerouac, (1957) 2003 : Jack Kerouac, Sur la route, Paris, 2003 [éd. orig : On the Road, New York, 1957].
– Kerouac, (1958) 2003 : Jack Kerouac, Les Clochards célestes, Paris, 2003 [éd. orig. : The Dharma Bums, New York, 1958].
– L.A. Raw, 2012 : L.A. Raw: Abject Expressionism in Los Angeles, 1945-1980, From Rico Lebrun to Paul McCarthy, Michael Duncan éd., (cat. expo., Pasadena, Pasadena Museum of California Art, 2012), Santa Monica, 2012.
– The Last Time…, 1976 : The Last Time I Saw Ferus 1957-1966, Betty Turnbull éd., (cat. expo., Newport Beach, Newport Harbor Museum, 1976), Newport Beach, 1976.
– Lipton, 1959 : Lawrence Lipton, The Holy Barbarians, New York, 1959.
– Los Angeles…, 2006 : Los Angeles, 1955-1985, Catherine Grenier éd., (cat. expo., Paris, Centre Pompidou, 2006), Paris, 2006.
– Lost and Found…, 1988 : Lost and Found in California: Four Decades of Assemblage Art, Sandra Leonard Starr éd., (cat. expo., Santa Monica, James Corcoran Gallery, Shoshana Wayne Gallery, Pence Gallery, 1988), Santa Monica, 1988.
– Lyrical Vision, 1989 : Lyrical Vision: The 6 Gallery, 1954-1957, John Natsoulas éd., (cat. expo., Davis, Natsoulas/Novelozo Gallery, 1990), Davis, 1989.
– MacAdams, 2001 : Lewis MacAdams, Birth of the Cool: Beat, Bebop, and the American Avant-Garde, New York, 2001.
– Mailer, (1957) 1958 : Norman Mailer, « Le Blanc-Nègre. Réflexions superficielles sur le hipster », dans Esprit, 258, février 1958, p. 177-200 [éd. orig. : « The White Negro: Superficial Reflections on the Hipster », dans Dissent, 3, automne 1957, p. 276-293].
– Majors, Billson, 1992 : Richard Majors, Janet Mancini Billson, Cool Pose: The Dilemmas of Black Manhood in America, New York, 1992.
– Maniaque-Benton, 2011 : Caroline Maniaque-Benton, French Encounters with the American Counterculture, 1960-1980, Farnham/Burlington, 2011.
– Man ray, (1963) 1998 : Man Ray, Autoportrait, Arles, (1964) 1998 [éd. orig. : Self Portrait, Boston, 1963].
– McClure, (1982) 1994 : Michael McClure, Scratching the Beat Surface, (San Francisco, 1982), New York, 1994.
– McKenna, 2009 : Kristine McKenna, The Ferus Gallery: A Place to Begin, Göttingen, 2009.
– Meltzer, 2001 : David Meltzer éd., San Francisco Beat: Talking with the Poets, San Francisco, 2001.
– An Opening…, 2013 : An Opening of the Field: Jess, Robert Duncan, and Their Circle, Michael Duncan, Christopher Wagstaff éd., (cat. expo., Sacramento, Crocker Art Museum, 2013), Portland, 2013.
– Pacific Dreams, 1995 : Pacific Dreams: Currents of Surrealism and Fantasy in California Art, 1934-1957, Susan Ehrlich éd., (cat. expo., University of California, Los Angeles, Armand Hammer Museum of Art and Cultural Center, 1995), Los Angeles, 1995.
– Pacific Standard Time, 2011 : Pacific Standard Time: Los Angeles Art, 1945-1980, Rebecca Peabody et al. éd., (cat. expo., Los Angeles, The J. Paul Getty Museum, 2011), Los Angeles, 2011.
– A Period of Exploration, 1973 : A Period of Exploration: San Francisco 1945-1950, Mary F. McChesney éd., (cat. expo., Oakland, The Oakland Museum, 1973), Oakland, 1973.
– Plagens, (1974) 1999 : Peter Plagens, Sunshine Muse: Art on the West Coast, 1945-1970, (New York, 1974) Berkeley/Los Angeles/Londres, 1999.
– Poets of the Cities, 1974 : Poets of the Cities: New York and San Francisco, 1950-1965, Neil A. Chassman éd., (cat. expo., Dallas, Dallas Museum of Fine Arts, 1974), New York, 1974.
– Prometheus Archives, 1979 : The Prometheus Archives: A Retrospective Exhibition of the Works of George Herms, Betty Turnbull éd., (cat. expo., Newport Beach, Newport Harbor Art Museum, 1979), Newport Beach, 1979.
– Ratner, 1990 : Joanne L. Ratner, « Interview with Walter Hopps », 11 octobre 1987, Oral History Program, Los Angeles, University of California, 1990.
– Reading California, 2000 : Reading California: Art, Image, and Identity, 1900-2000, Stephanie Barron, Sheri Bernstein, Ilene Susan Fort éd., (cat. expo., Los Angeles, Los Angeles County Museum of Art, 2001), Berkeley/Los Angeles/Londres, 2000.
– Robert Duncan, 1992 : Robert Duncan: Drawing and Decorated Books, Christopher Wagstaff éd., (cat. expo., Berkeley, University Art Museum/Pacific Film Archive/The Bancroft Library, 1992), Berkeley, 1992.
– Rolling Renaissance, 1968 : Rolling Renaissance: San Francisco Underground Art in Celebration: 1945-1968, Robert E. Johnson éd., (cat. expo., San Francisco, Intersections Center for Religion and the Arts, 1968), San Francisco, 1968.
– Roszak (1969) 1970 : Theodore Roszak, Vers une contre-culture : réflexions sur la société technocratique et l’opposition de la jeunesse, Paris, 1970 [éd. orig. : The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition, New York, 1969].
– Roth, 1997 : Moira Roth éd., Rachel Rosenthal, Baltimore, 1997.
– Salinger, 1951 : J. D. Salinger, The Catcher in the Rye, New York, 1951.
– San Francisco School…, 1996 : The San Francisco School of Abstract Expressionnism, Susan Landauer éd., (cat. expo., Laguna Beach, Laguna Art Museum, 1996), Laguna Beach (Calif.), 1996.
– Semina Culture, 2005 : Semina Culture: Wallace Berman & His Circle, Michael Duncan, Kristine McKenna éd., (cat. expo., Santa Monica, Santa Monica Museum of Art, 2005), New York, 2005.
– Sixteen Americans, 1959 : Sixteen Americans, Dorothy C. Miller éd., (cat. expo., New York, The Museum of Modern Art, 1959), New York, 1959.
– Smith, 1995 : Richard Cándida Smith, Utopia and Dissent: Art, Poetry, and Politics in California, Berkeley, 1995.
– Solnit, 1982 : Rebecca Solnit, Secret Exhibition: Six California Artists of the Cold War Era, San Francisco, 1982.
– Southern California Assemblage, 1986 : Southern California Assemblage: Past and Present, Elena Siff éd., (cat. expo., Santa Barbara, Santa Barbara Contemporary Arts Forum, 1986), Santa Barbara, 1986.
– Spirit into Matter…, 2004 : Spirit into Matter: The Photographs of Edmund Teske, Julian Cox éd., (cat. expo., Los Angeles, The J. Paul Getty Museum, 2004), Los Angeles, 2004.
– Thompson, 1984 : Robert Farris Thompson, Flash of the Spirit: African and Afro-American Art and Philosophy, New York, 1984.
– Time and Place, 2008 : Time and Place: Los Angeles, 1957-1968, Lars Nittve, Lena Essling éd., (cat. expo., Stockholm, Moderna Museet, 2008), Stockholm/Göttingen, 2008.
– Translations, Salvages, Paste-Ups…, 1977 : Translations, Salvages, Paste-Ups, by Jess, Robert R. Murdock éd., (cat. expo., Dallas, Dallas Museum of Fine Arts, 1977), Dallas, 1977.
– Turning the Tide, 1990 : Turning the Tide: Early Los Angeles Modernists, 1920-1956, Paul J. Karlstrom, Susan Ehrlich éd., (cat. expo., Santa Barbara, Santa Barbara Museum of Art, 1990), Santa Barbara, 1990.
– Wallace Berman, 1978 : Wallace Berman: Retrospective, Hal Glicksman éd., (cat. expo., Los Angeles, Otis Art Institute Gallery, 1978), Los Angeles, 1978.
– Wallace Berman, 1992 : Wallace Berman: Support the Revolution, Eduardo Lipschutz-Villa et al., (cat. expo., Amsterdam, Institute of Contemporary Art, 1992), Amsterdam, 1992.
– Wally Hedrick, 1985 : Wally Hedrick: Selected Works, David S. Rubin éd., (cat. expo., San Francisco, San Francisco Art Institute, 1985), San Francisco, 1985.
– West Coast, 1969 : West Coast, 1945-1969, John Coplans éd., (cat. expo., Pasadena, Pasadena Art Museum, 1969), Pasadena, 1969.
– West of Center, 2012 : West of Center: Art and the Counterculture Experiment in America, 1965-1977, Elissa Auther, Adam Lerner éd., (cat. expo., Denver, Museum of Contemporary Art, 2012), Denver/Minneapolis, 2012.
– Whaley, 2004 : Preston Whaley Jr., Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture, Cambridge, 2004.